Westminster Hall, the Central Lobby, and one staircase
After the round table, the group was taken through the building: Westminster Hall, with its nine-hundred-year-old roof; the Central Lobby; the Chambers. On the steps beneath the great window of St Stephen's Hall, two of our dancers dropped into the splits and the rest struck a line behind them. It is the photograph from the evening that we keep coming back to — not because it is the most dignified, but because it is the most honest. They were completely at ease in a building that intimidates most adults.
Why a dance school is writing about Parliament
Here is the part that matters to us. A child who has stood on a stage in front of two hundred people, in a costume, under lights, and kept going when it was frightening, does not shrink in a room full of MPs. Nobody teaches that in a public-speaking workshop. It is built slowly, in an ordinary studio, on ordinary Saturday afternoons, one repetition at a time. It is the same thing that gets a nervous eight-year-old through her first show, and it is the same thing that got a ten-year-old to raise her hand in a committee room at Westminster and ask a Member of Parliament about data protection. We talk a lot about posture, technique and exam results, because those are easy to measure. This is the thing that actually changes children, and it is almost impossible to put on a booking page.